24 Winter Olympics Logos Quiz

[C] Grenoble 1968 (Winter) | The logo for the 1968 Grenoble Winter Olympics, known as the X Olympic Winter Games, is a symbol that captures the essence of the event and the host city. The emblem features a snow crystal amongst three red roses, which are the symbol of Grenoble, and the Olympic rings in monochrome. The words "X Olympic Winter Games - Grenoble 1968" are written around the image, creating a visual representation of the Games that reflects the spirit of the Olympic movement and the significance of Grenoble as the host city.

[A] Salt Lake City 2002 (Winter) | The emblem for the 2002 Salt Lake City Winter Olympics is a stylized snow crystal with bright colors—yellow, orange, and blue, which are the colors found in the Utah landscape. These graphic elements convey the themes of contrast, culture, and courage. Contrast symbolizes the Utah landscape, ranging from arid desert to snowy mountains; culture represents the diverse cultures that make up the region's exceptional heritage; and courage reflects the spirit of the athletes, the very essence of the Games.

[B] Squaw Valley 1960 (Winter) | The logo for the 1960 Squaw Valley Winter Olympics, also known as the VIII Olympic Winter Games, is a distinctive emblem that captures the spirit of the event and the host location. The emblem features three triangles in the colors of the American flag, with a superimposed design that gives a 3-D effect, creating the image of a star or snowflake. This design is a nod to the American heritage and the winter theme of the Games. The Olympic rings are centrally placed, symbolizing the unity of the five continents and the global nature of the Olympic movement.

[A] Sapporo 1972 (Winter) | The emblem for the 1972 Sapporo Winter Olympics, also known as the XI Olympic Winter Games, is a symbol that captures the essence of the event and the host city. The emblem features a combination of three independent elements: the Rising Sun, a symbol of Japan; a snowflake, which is a sketch of the coat of arms of an ancient Japanese family and a symbol of winter; and the Olympic rings with the inscription "Sapporo '72".

[C] Sarajevo 1984 (Winter) | The emblem for the 1984 Sarajevo Winter Olympics, also known as the XIV Olympic Winter Games, is a symbol that encapsulates the spirit of the event and the host city. The emblem features a stylized snowflake with the Olympic rings above, symbolizing the unity of the five continents and the global nature of the Olympic movement. It also incorporates the traditional design of the embroidery produced in the Sarajevo region, adding a touch of local culture and heritage to the emblem.

[D] Oslo 1952 (Winter) | The emblem for the 1952 Oslo Winter Olympics, recognized as the VI Olympic Winter Games, stands as a testament to the spirit of the event and the host city. It is composed of a design that encapsulates the essence of Norwegian culture and the winter sports that were the focus of the Games. The emblem features the text "VI OLYMPIC WINTER GAMES" to denote the sixth edition of the Winter Olympics, and "OSLO 1952" to specify the host city and the year the Games took place.

[D] Innsbruck 1976 (Winter) | The emblem for the 1976 Innsbruck Winter Olympics, also known as the XII Olympic Winter Games, is a symbol that captures the essence of the event and the host city. The emblem features a stylized representation of a snow crystal, which is a sketch of the coat of arms of an ancient Japanese family and a symbol of winter. The Olympic rings are integrated into the design, representing the unity of the five continents and the global nature of the Olympic movement.

[D] Innsbruck 1964 (Winter) | The logo for the 1964 Innsbruck Winter Olympics, also known as the IX Olympic Winter Games, is a symbol that captures the essence of the event and the host city. The emblem features a stylized snowflake in white, with the Olympic rings and the coat of arms of the City of Innsbruck linked together, symbolizing the unity of the Olympic movement with the host city's identity. The design was part of a national competition launched by the Innsbruck Organizing Committee, which was won by Professor Wilhelm Jaruska from Vienna’s Academy of Graphic Arts.

[B] Chamonix 1924 (Winter) | The 1924 Chamonix Winter Olympics were originally staged as the International Winter Sports Week and were later recognized as the first Winter Olympics by the International Olympic Committee (IOC). The official poster, a work of art by Auguste Matisse, encapsulates the spirit of the Games with its depiction of an eagle in flight over a bobsleigh track, set against the stunning Alpine backdrop of Chamonix.

[C] St. Moritz 1948 (Winter) | This poster for these Games, designed by Fritz Hellinger, depicted a romantic image of a radiant sun illuminating two skiers in a snowy mountain landscape, symbolizing a Europe free once again to enjoy sport in surroundings of natural beauty. The logo and poster design for the 1948 St. Moritz Winter Olympics capture the essence of the Games and the spirit of the host city, serving as a visual identity for the event and reflecting the unique setting of St. Moritz as the venue for this historic winter sports spectacle.

[A] Beijing 2022 (Winter) | The emblem for the Beijing 2022 Winter Olympics, titled "Winter Dream," features a dynamic and modern design that captures the essence of winter sports and China's cultural heritage. The logo is inspired by the character "冬" (Dōng), which means "winter" in Chinese and is stylized to resemble a skater and a skier in motion, symbolizing the agility and grace of winter sports.

[A] Calgary 1988 (Winter) | The emblem for the 1988 Calgary Winter Olympics, which was the XV Olympic Winter Games, is a poignant representation of the unity and spirit of the event. It features a stylized snowflake that also doubles as a stylized maple leaf, a symbol of Canada's national emblem, thus blending the global and local identities seamlessly. This dual representation is not only a nod to the winter setting of the games but also a tribute to the host nation's heritage. The emblem is composed of various letters "C"s, which stand for both "Canada" and "Calgary," enriching it with layers of meaning.

[D] Turin 2006 (Winter) | The emblem for the 2006 Turin Winter Olympics is a stylized profile of the Mole Antonelliana building, which is one of the largest structures in Italy and a symbol of the city. The logo was designed by Antonio Benincasa from Studio Benincasa-Husmann and features the building's silhouette drawn in white and blue ice crystals, signifying the snow and the sky. The crystal web is also meant to portray the web of new technologies and the Olympic spirit of community, reflecting the theme of innovation and unity that was central to the games.

[D] PyeongChang 2018 (Winter) | The emblem for the 2018 PyeongChang Winter Olympics is a symbol deeply rooted in Korean culture and language. It is inspired by Hangul, the Korean alphabet, with the shapes forming the logo derived from the first consonants of each syllable in the word "PyeongChang" when written in Hangul. The first character in the emblem represents a gathering place where the elements of Cheon-ji-in – heaven, earth, and human – are in harmony, reflecting the philosophy of the Korean people. The second character symbolizes snow and ice, as well as the outstanding performances of the athletes.

[A] Nagano 1998 (Winter) | The emblem for the 1998 Nagano Winter Olympics is a flower pattern, where each petal represents an athlete engaged in a winter sport, and can also be seen as a snowflake symbolizing the Olympic Winter Games. The emblem is evocative of a mountain flower, emphasizing Nagano's commitment to the environment, and was thus named "Snowflower." This dynamic and colorful image foreshadowed the enthusiastic atmosphere of the Games and symbolized their brilliance around the world.

[B] Sochi 2014 (Winter) | The emblem for the 2014 Sochi Winter Olympics is a groundbreaking design that embraces modernity and simplicity. It is the first Olympic logo to be in the form of a web address, "sochi2014.ru", reflecting the digital age in which the games were accessed through various screens and devices. The logo is a typographical exercise featuring the internet address on the first line of text, with the figure 2014 next to the Olympic rings, vertically mirroring the letters of the word "Sochi".

[B] Lillehammer 1994 (Winter) | The emblem for the 1994 Lillehammer Winter Olympics is a compelling representation of the natural beauty and cultural heritage of Norway. It is composed of a stylized aurora borealis, also known as the Northern Lights, which is a natural phenomenon due to the northerly position of Norway and is often associated with power, great tension, and dramatic spectacle. The emblem also includes the five Olympic rings, snow crystals, and the title "Lillehammer '94".

[C] Albertville 1992 (Winter) | The emblem for the 1992 Albertville Winter Olympics is a symbol that captures the essence of the games and the region's identity. The official emblem consists of an Olympic flame in the colors of the Savoie region, which is an element of the visual identity of the Albertville Games. The design was intended to meet three main objectives: to highlight the mountain venue, modernity, and sports. The emblem features a vibrant and dynamic representation, embodying the spirit of the Olympic Winter Games and the natural beauty of the Alpine setting.

[A] Lake Placid 1980 (Winter) | The emblem for the 1980 Lake Placid Winter Olympics, recognized as the XIII Olympic Winter Games, is a symbol that encapsulates the spirit of the event and the host city. It features a dynamic and stylized representation of a mountain range, which is indicative of the Adirondack Mountains that provide a stunning backdrop to Lake Placid. This imagery is intertwined with the Olympic rings, a universal symbol of unity among the five continents, signifying the coming together of the world's athletes in friendly competition.

[C] St. Moritz 1928 (Winter) | The logo for the 1928 St. Moritz Winter Olympics, also known as the II Olympic Winter Games, is a symbolic representation of the event and its host city. The poster that serves as a visual representation of the Games features the Swiss and Olympic flags against the backdrop of the Piz Corvatsch mountain, which is part of the Grisons Alps. This design was used to promote the country, the region, and the natural beauty of the surroundings, which are ideal for winter sports.

[B] Cortina d'Ampezzo 1956 (Winter) | The logo for the 1956 Cortina d'Ampezzo Winter Olympics, also known as the VII Olympic Winter Games, is a distinctive emblem that captures the spirit of the event and the host city. The emblem features a stylized snowflake with the Olympic rings surmounted by a star in the middle, representing the emblem of the Italian National Olympic Committee. The site of the host city, Cortina d'Ampezzo, is depicted beneath this emblem. The design was chosen from amongst 86 models presented by 79 artists, with the Milanese artist Franco Rondinelli sharing first prize with the Genoan artist Bonilauri.

[C] Vancouver 2010 (Winter) | The emblem for the 2010 Vancouver Winter Olympics, named "Inukshuk," is a symbol inspired by a traditional Inuit stone landmark used for navigation and as a sign of human presence. The logo features multiple arms in a spiral pattern, representing the convergence of athletes from around the world at the games, as well as the snow-capped mountains that are characteristic of the region. The design is a fusion of the natural beauty of British Columbia and the cultural heritage of Canada, with the Inukshuk symbolizing hospitality and friendship.

[C] Garmisch-Partenkirchen 1936 (Winter) | The emblem for the 1936 Garmisch-Partenkirchen Winter Olympics, also known as the IV Olympic Winter Games, is a representation of the event and its host city. It features the Olympic rings in the foreground with the summit of the Garmisch-Partenkirchen Alps and a ski track leading to the mountains in the background. The emblem is inscribed with "IV. OLYMPISCHE WINTERSPIELE 1936 GARMISCH-PARTENKIRCHEN". This emblem and poster design captures the spirit of the Olympic Winter Games and the unique setting of Garmisch-Partenkirchen, highlighting the city's beauty and its significance as the host for this historic winter sports event.

[A] Lake Placid 1932 (Winter) | The emblem for the 1932 Lake Placid Winter Olympics, also known as the III Olympic Winter Games, is a representation of the event and its host city. It features a ski jumper in the foreground, symbolizing the winter sports that were central to the Games. In the background, there is a map of the United States with Lake Placid indicated, highlighting the location of the event. The artist behind the emblem was Witold Gordon. The poster using this emblem was printed in more than 16,000 copies in English, French, and German, with approximately 15,000 of them distributed abroad, primarily in Europe, with the assistance of various organizations and companies.