54 Olympic Logos Quiz (Part 2)

[A] Berlin 1936 (Summer) | The logo for the 1936 Berlin Summer Olympics, also known as the Games of the XI Olympiad, is a significant piece of Olympic history. The emblem features an Olympic bell, with the Olympic rings at its center, symbolizing the unity of the five continents. Atop the bell is the German eagle, representing the host nation. The bell is inscribed with the phrase “Ich rufe die Jugend der Welt!” which translates to “I call the youth of the world!” in English, a call to unity and competition that resonates with the Olympic spirit.

[C] St. Moritz 1948 (Winter) | This poster for these Games, designed by Fritz Hellinger, depicted a romantic image of a radiant sun illuminating two skiers in a snowy mountain landscape, symbolizing a Europe free once again to enjoy sport in surroundings of natural beauty. The logo and poster design for the 1948 St. Moritz Winter Olympics capture the essence of the Games and the spirit of the host city, serving as a visual identity for the event and reflecting the unique setting of St. Moritz as the venue for this historic winter sports spectacle.

[D] Oslo 1952 (Winter) | The emblem for the 1952 Oslo Winter Olympics, recognized as the VI Olympic Winter Games, stands as a testament to the spirit of the event and the host city. It is composed of a design that encapsulates the essence of Norwegian culture and the winter sports that were the focus of the Games. The emblem features the text "VI OLYMPIC WINTER GAMES" to denote the sixth edition of the Winter Olympics, and "OSLO 1952" to specify the host city and the year the Games took place.

[D] Amsterdam 1928 (Summer) | The logo for the 1928 Amsterdam Summer Olympics, known as the Games of the IX Olympiad, is a significant piece of Olympic history. The design of the logo features a runner in action holding a laurel branch, which is a symbol of victory. The bottom part of the poster includes wavy lines in red, white, and blue, representing the colors of the Dutch national flag. This design was created by Dutch artist Joseph Hohannes Rovers and was produced in two sizes, with 45,000 copies in the smaller size and 10,000 copies in the larger size.

[A] Helsinki 1952 (Summer) | The logo for the 1952 Helsinki Summer Olympics, also known as the Games of the XV Olympiad, is a symbol that captures the essence of the event and its host city. The emblem is composed of the tower of the Olympic Stadium, with the Olympic rings positioned at the top, signifying the unity of the five continents and the global nature of the Olympic movement.

[C] Melbourne 1956 (Summer) | The logo for the 1956 Melbourne Summer Olympics, also known as the Games of the XVI Olympiad, is a symbol that captures the essence of the event and the host city. The emblem features a drawing of Australia, with a torch and Olympic rings superimposed, representing the unity and global nature of the Olympic movement. In the bottom half, the inscription "MELBOURNE 1956" is extended on each side by laurel branches, a symbol of victory and honor.

[B] Squaw Valley 1960 (Winter) | The logo for the 1960 Squaw Valley Winter Olympics, also known as the VIII Olympic Winter Games, is a distinctive emblem that captures the spirit of the event and the host location. The emblem features three triangles in the colors of the American flag, with a superimposed design that gives a 3-D effect, creating the image of a star or snowflake. This design is a nod to the American heritage and the winter theme of the Games. The Olympic rings are centrally placed, symbolizing the unity of the five continents and the global nature of the Olympic movement.

[B] Lillehammer 1994 (Winter) | The emblem for the 1994 Lillehammer Winter Olympics is a compelling representation of the natural beauty and cultural heritage of Norway. It is composed of a stylized aurora borealis, also known as the Northern Lights, which is a natural phenomenon due to the northerly position of Norway and is often associated with power, great tension, and dramatic spectacle. The emblem also includes the five Olympic rings, snow crystals, and the title "Lillehammer '94".

[B] Cortina d'Ampezzo 1956 (Winter) | The logo for the 1956 Cortina d'Ampezzo Winter Olympics, also known as the VII Olympic Winter Games, is a distinctive emblem that captures the spirit of the event and the host city. The emblem features a stylized snowflake with the Olympic rings surmounted by a star in the middle, representing the emblem of the Italian National Olympic Committee. The site of the host city, Cortina d'Ampezzo, is depicted beneath this emblem. The design was chosen from amongst 86 models presented by 79 artists, with the Milanese artist Franco Rondinelli sharing first prize with the Genoan artist Bonilauri.

[C] Grenoble 1968 (Winter) | The logo for the 1968 Grenoble Winter Olympics, known as the X Olympic Winter Games, is a symbol that captures the essence of the event and the host city. The emblem features a snow crystal amongst three red roses, which are the symbol of Grenoble, and the Olympic rings in monochrome. The words "X Olympic Winter Games - Grenoble 1968" are written around the image, creating a visual representation of the Games that reflects the spirit of the Olympic movement and the significance of Grenoble as the host city.

[B] Mexico City 1968 (Summer) | The emblem for the 1968 Mexico City Summer Olympics, also known as the Games of the XIX Olympiad, is a symbol that captures the essence of the event and the host city. The emblem features a combination of the five Olympic rings and the year "68," which was designed by a collaboration of three artists: Pedro Ramirez Vazquez, Eduardo Terrazas, and Lance Wyman. The design recalls the patterns of the Huichol, an Indigenous people of Mexico, and was a reflection of the hippy psychedelia of the time.

[A] Nagano 1998 (Winter) | The emblem for the 1998 Nagano Winter Olympics is a flower pattern, where each petal represents an athlete engaged in a winter sport, and can also be seen as a snowflake symbolizing the Olympic Winter Games. The emblem is evocative of a mountain flower, emphasizing Nagano's commitment to the environment, and was thus named "Snowflower." This dynamic and colorful image foreshadowed the enthusiastic atmosphere of the Games and symbolized their brilliance around the world.

[A] Sapporo 1972 (Winter) | The emblem for the 1972 Sapporo Winter Olympics, also known as the XI Olympic Winter Games, is a symbol that captures the essence of the event and the host city. The emblem features a combination of three independent elements: the Rising Sun, a symbol of Japan; a snowflake, which is a sketch of the coat of arms of an ancient Japanese family and a symbol of winter; and the Olympic rings with the inscription "Sapporo '72".

[B] Atlanta 1996 (Summer) | The emblem for the 1996 Atlanta Summer Olympics is a symbol that embodies the spirit of the games and the host city. The logo features a bold, stylized torch, which is a traditional symbol of the Olympic Games, representing the passing of the Olympic flame from one host city to the next. The torch is integrated with the number "100" to commemorate the 100th anniversary of the modern Olympic Games, which were first held in 1896.

[B] Los Angeles 1984 (Summer) | The Los Angeles 1984 Summer Olympics logo, officially known as "Stars in Motion," is a dynamic and iconic emblem that captures the spirit of the Games. Designed by Robert Miles Runyan and approved in 1980, four years before the event, the logo features three overlapping stars with thirteen stripes, representing the speed and action of the Olympic competitions. The emblem's three stars symbolize the first, second, and third places in the competitions, while the thirteen horizontal lines are inspired by the Star-Spangled Banner, conveying a sense of speed and action. The colors red, white, and blue are a nod to the American flag, positioning the symbol within the proud culture of the United States of America.

[B] Munich 1972 (Summer) | The emblem for the 1972 Munich Summer Olympics, also known as the Games of the XIX Olympiad, is a symbol that captures the essence of the event and the host city. The emblem features a stylized depiction of a sun, with the Olympic rings integrated into the design, representing the unity of the five continents and the global nature of the Olympic movement. The emblem also includes the text "München 1972," which specifies the host city and the year the Games were held.

[A] Calgary 1988 (Winter) | The emblem for the 1988 Calgary Winter Olympics, which was the XV Olympic Winter Games, is a poignant representation of the unity and spirit of the event. It features a stylized snowflake that also doubles as a stylized maple leaf, a symbol of Canada's national emblem, thus blending the global and local identities seamlessly. This dual representation is not only a nod to the winter setting of the games but also a tribute to the host nation's heritage. The emblem is composed of various letters "C"s, which stand for both "Canada" and "Calgary," enriching it with layers of meaning.

[D] Innsbruck 1976 (Winter) | The emblem for the 1976 Innsbruck Winter Olympics, also known as the XII Olympic Winter Games, is a symbol that captures the essence of the event and the host city. The emblem features a stylized representation of a snow crystal, which is a sketch of the coat of arms of an ancient Japanese family and a symbol of winter. The Olympic rings are integrated into the design, representing the unity of the five continents and the global nature of the Olympic movement.

[A] Barcelona 1992 (Summer) | The emblem for the 1992 Barcelona Summer Olympics, designed by Josep Maria Trias, is a dynamic and distinctive symbol that captures the essence of the games and the spirit of the host city. The logo depicts a human figure in a stance that suggests someone jumping over an obstacle, which consists of the five Olympic rings. The characterization of the figure is simplified to the head (in the blue of the Mediterranean), the arms (the yellow of the sun and wide open in a sign of hospitality), and the legs (a vivid red).

[A] Salt Lake City 2002 (Winter) | The emblem for the 2002 Salt Lake City Winter Olympics is a stylized snow crystal with bright colors—yellow, orange, and blue, which are the colors found in the Utah landscape. These graphic elements convey the themes of contrast, culture, and courage. Contrast symbolizes the Utah landscape, ranging from arid desert to snowy mountains; culture represents the diverse cultures that make up the region's exceptional heritage; and courage reflects the spirit of the athletes, the very essence of the Games.

[D] Seoul 1988 (Summer) | The emblem for the 1988 Seoul Summer Olympics is a dynamic and vibrant symbol that captures the spirit of the games and the city's cultural heritage. It features a stylized representation of Taegeuk, a fundamental concept in Korean philosophy symbolizing the balance and harmony of the universe. The use of blue and red colors in the emblem reflects the Korean national flag, further emphasizing the host country's identity.

[A] Athens 2004 (Summer) | The emblem for the 2004 Athens Summer Olympics is a wreath made from an olive tree branch, or kotinos, which is a reference to the ancient Olympic Games where the kotinos was the official award of Olympic champions. The emblem also symbolizes the sacred tree of Athens, the olive tree, and its colors represent the shades of white and blue found in the Greek countryside. This design not only connects the modern games to their ancient origins but also embodies the peace and unity that the olive branch represents.

[C] Albertville 1992 (Winter) | The emblem for the 1992 Albertville Winter Olympics is a symbol that captures the essence of the games and the region's identity. The official emblem consists of an Olympic flame in the colors of the Savoie region, which is an element of the visual identity of the Albertville Games. The design was intended to meet three main objectives: to highlight the mountain venue, modernity, and sports. The emblem features a vibrant and dynamic representation, embodying the spirit of the Olympic Winter Games and the natural beauty of the Alpine setting.

[D] Turin 2006 (Winter) | The emblem for the 2006 Turin Winter Olympics is a stylized profile of the Mole Antonelliana building, which is one of the largest structures in Italy and a symbol of the city. The logo was designed by Antonio Benincasa from Studio Benincasa-Husmann and features the building's silhouette drawn in white and blue ice crystals, signifying the snow and the sky. The crystal web is also meant to portray the web of new technologies and the Olympic spirit of community, reflecting the theme of innovation and unity that was central to the games.